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Gloucestershire Portrait Photographer

This Blog is for portrait photographer David James Williams. 

David specialises in Portrait Photography & is able to capture the perfect Individual portrait, the Loving Couple portrait, the Family portrait or Group portrait.


David shoots Portraits in Gloucestershire & the surrounding counties.

Friday Freebie #10 – Example Studio Lighting setups with Photos

As part of this weeks Friday Freebie, I thought I would share 4 different setups for Studio Lighting, with diagrams showing positions of lights, plus examples of resulting portraits.

Studio Lighting setup 1

Lighting setup for first set of shots is largest soft box camera left , coming in to model at approx 45 degrees. 2nd softbox is back right , pointing down on to model to provide that rim / hair light.   Back light was + 1-2 stops higher than front. Collapsible black velvet backdrop in place.

Lighting Setup

Lighting Setup

Lighting Setup - Resulting Portrait

Lighting Setup - Resulting Portrait

Lighting Setup - Resulting Portrait

Lighting Setup - Resulting Portrait

Notice how 1 light at the front & the model facing the camera, allows you produce some clear shadow definition on the face, whilst the rim light helps seperate the model from thebackground.

3 more Example Studio setups after the link



Studio Lighting setup 2

In this lighting example , the front light has been pulled back to allow lighting of some full body shots.  Note how by asking the model to face the main light & then only use the eyes to look back at you, how you can minimise shadow on the face this time.

Studio Lighting Diagram

Studio Lighting Diagram

Here is a photo showing the height of the rim light in this setup.

Rim Lighting

Rim Lighting

The resulting end portraits are :-

Studio Lighting Examples

Studio Lighting Examples

Studio Lighting Examples

Studio Lighting Examples

TIP :  Stand on a chair & ask the model to look up at you by only moving their eyees.  Their head should stay level.  The results can be seen in 1st shot above.  By forcing the eyes to look up, you reveal more white of the eyes, making the eyes look bigger, which as all ladies know makes for a more flattering look :)


Studio Lighting setup 3

We are now moving to a 3 light setup.  2 at the front at roughly 45 degrees to model, with larger soft box acting as main light, at 1 stop higher than 2nd light.   Now for some serious rim lighting, by placing a bare studio light directly behind the models head , about 1-2 feet back.

Example Studio Lighting Diagram

Example Studio Lighting Diagram

Example Studio Lighting Results

Example Studio Lighting Results

Example Studio Lighting Results

Example Studio Lighting Results

lighting-tutorial-11

TIP: Try taking some portraits at an angle.   Different is good you know ;)


Studio Lighting setup 4

OK, last setup for you.  This one is know in the trade as the clam shell & is great for beauty shots.  Basically you place your largest softbox directly in front of the model, just above head height pointing down at model .  The 2nd softbox you place directly beneath the 1st , allowing just enough space for your camera lens to poke though.  This light will be pointed upwards slightly.

The top softbox will be 1 stop higher then the bottom one.

Studio Lighting Diagram

Studio Lighting Diagram

Clam Shell Lighting Example

Clam Shell Lighting Example

Clam Shell Lighting Example

Clam Shell Lighting Example

Let me know how you get on with any of these setups.  If you area Facebook user then consider “fanning” my page here, to keep up to date my latests posts   FACEBOOK

Here’s saying ciao until the next Friday Freebie

Related posts:

  1. Friday Freebie #2 – Shallow DOF for Couples Portrait
  2. Friday Freebie #4 – Use shallow DOF for Portrait impact
  3. Friday Freebie #7 – It’s all in the Eyes
  4. Friday Freebie #3 – Sensual Couple Portraits
  5. Cheltenham Photographer

7 July, 2009 - 6:42 pm Simon - Very informative Dave - as your portrait lighting is excellent

30 July, 2009 - 8:09 am Jess - This was exactly what i was looking for thankyou so much for your simplicity yet great detail - extremely helpful!!

16 August, 2009 - 3:17 pm Jay Hoque - I've just started using studio lights and wanted to learn the basics. I've come across a lot of guides, but yours is probably the most easy to understand. Thanks for posting.

24 August, 2009 - 8:04 pm Stefan - How much Ws have those 3 lights? Thanks in advance

24 August, 2009 - 8:27 pm Dave - 400W for the main softbox lights, although 200W would be fine. I use Elinchrom D-Lite 4's if that helps. Dave

24 August, 2009 - 8:28 pm Dave - Forgot to say 3rd light in setup 3 is only 200W

28 November, 2009 - 5:08 am Ty - Dave Excellent tutorial! I have searching all over for a program to let me show case lighting setups. Could I ask how you created the lighting Diagram? Thanks!

2 December, 2009 - 4:15 am Leo - I like the color of your pictures. What camera are you using and what is your favorite settings? Leo

2 December, 2009 - 6:33 am Dave - These were taken with a Canon 5D MK1, shot using RAW. Knowing the colour temp of my lights, the only tweak I apply in Photoshop is to adjust the white balance accordingly.

4 December, 2009 - 8:47 am Dave - @Ty , try this for lighting diagrams :- http://www.lightingdiagrams.com/

14 December, 2009 - 3:07 am Eran - Thank you Dave! This exactly the type of information I was looking for! MUCH appreciated!

7 January, 2010 - 4:55 am mobile marketing - This is great! Thanks for the information, I ordered my lighting kit today.

12 January, 2010 - 1:51 pm Dave - No problem. Hope it provides some inspiration for more photographers to try out studio lighting :)

15 January, 2010 - 12:42 am utoy - this is great! thanks for your excellent info in setting up photo studio lights... just in time for my shoot, graduation photo shoot... thanks, dave

15 January, 2010 - 8:02 pm Dave - Glad it is of use & let me know how the graduation shoot goes

17 January, 2010 - 11:29 am Mandy - Thanks for your tips, I've just started a studio course and this will help a lot. Mandy

26 February, 2010 - 6:44 pm Kelly - Quick question... new to studio lights, and using digrams to get ideas for how to position lights and why.. but one piece of info is missing, is there a standard or guideline distance from subject to lights and subject to camera? Thanks again for great information

27 February, 2010 - 5:02 pm Dave - Hi Kelly. Good question. My simple advice is if you want the osftest most pleasing light, then place the lights as close as possible to model. Usually I have them just out of shot when composing photo. The further away from the subject you place the lights, the harsher the light. You may use this for example if you want crisp shadows for a dramatic look. As for position of camera from model this doesn't matter in terms of exposure, but purely from a composition you want to achieve. I have shot at 200mm some 12 feet back before, or just acouple of feet away for tight crop with a 50mm lens. DOwn to personal preference. Hope that helps. Dave

18 March, 2010 - 3:47 am Mychael - you are GREAT!!!! I learning more about studio lighting and this is GREAT

30 March, 2010 - 2:02 pm Trev - thanks so much for sharing your set ups, have just started with photography and these are so helpful. quick question, on the clam shell did you use continuous lighting or flash? if flash how did you retain the wonderful colours you have?

31 March, 2010 - 8:29 pm Dave - Hi Trev, I used flash. As for colours I always take a test shot up front with model holding a "grey card". This allows you to set your white balance perfectly in Photoshop or Lightroom (use white balance dropper on grey card), then apply same change to all shots from your shoot :) Voila perfect colours

7 May, 2010 - 4:20 am Edd - Hi Dave: Thank you for your expertise and for this great techniques. I am in the thought of buying my first studio lighting. For the studio space you used in your lessons, what would you recommend in regards to wattage power on the monolights? What do you think about the Interfit Stellar X 650 watts/second? Thank you again! Edd

13 May, 2010 - 8:22 am Dave - Hi Edd, apologies for delay in responding. To be honest there are days when I find the 400W too powerful. Reason being is when I want to do a real "low key" shot , the 400's don't go low enough in power. The D-Lite 2's at 200W would have been better. I rarely get above 50% the power of the 400's. That said if you are looking to light a really large space, or large group shots (10+) then the 400W or above makes sense. In ideal world you would have 4 lights anyway, to do high key. In that scenario you could buy 2 lower power lights, plus 2 stronger, giving you maximum flexibility. Re Interfits, have never used them, so worth chjecking how low you can set power on them. Hope that helps. Dave

13 May, 2010 - 8:23 am Dave - Forgot to also say that if lighting outdoors, trying to compete against the sun, then more power also makes sense

10 June, 2010 - 10:17 am anamit - Excellent tutorial! But...as a fan/user of small flashguns (Vivitar 273/283/285)), I'm wondering which setups would be possible...Clamshell yes, but the others, perhaps not...what say you?

10 June, 2010 - 7:24 pm Dave - You've only got to look at what McNally & Tejada produce with small flashes to see what is possible :)

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